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A Portrait of the Artist as a Queer Femme

picture of the author with shaved head, looking contemplative and wearing a shirt that says "my gender is infinite"I saw a femme on the metro the other day, and for whatever reason, this person’s gender presentation got me thinking. They were dressed relatively simply, their clothing all sharp black lines, but the combination of hairstyle, eyeliner, and a bold red lip pushed them into the femme box in my perception. They also had this challenging stare that made me blush and look at my lap, and for some reason, start thinking about the way I do femme in contrast.

Femme is one of the few identities that totally speaks to me—no doubt in part because, as an identity, it’s so fluid and can be so many very distinct things all at once. FemmeCon 2012 was one of the few events where I really felt community. One of the best things about it was that, as an entire conference for femmes, there were so many varieties of femme representing, and your femme was taken as given by virtue of being present there. There was no femme bar to entry, and so I saw femmes like me (“lazy femme” or “blah femme”) alongside a million other different expressions. I didn’t need to prove myself, or think too hard about the difference between what I’m able to show the world physically, who I am, and what I might want to be.

To clarify a bit: my gender exists somewhere between squishy shy alien creature and calm, helpy robot. It’s not really something I can represent in physical space. I am drawn to things coded feminine and to queering them, so I experience delight in the color pink, in spoonie communities of care, in fannish frivolity. Many of the things I love can most easily be interpreted through a femme lens—except, I sometimes fear, for me.

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