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Taking a Literary White People Break: First Ten #50POCBooks

After a somewhat abortive start when I realized I just wasn’t reading anything at all, I re-started a plan to just not read white authors for the next fifty books I read starting in March. The only exception to the rule is for books I’m reading for review: otherwise, I thought it would be a good idea to take a break from white people for a while. Let’s face it; our ideas are pretty easy to come by. If you’d like to do a similar thing, tag your posts or Tweets with #50POCBooks so we can share recs with each other.

The first ten books I read, not really by any plan, included nine books by women, and all the books were by black authors/contributors. Five of the authors/contributors were some flavor of queer. Some of the books I started with were classics I’ve been meaning to read for a million years, including I Know Why the Caged Bird Sings and Tar Baby. I also finally read my first bell hooks book (Communion) and my first June Jordan and Audre Lorde essay collections (Some of Us Did Not Die and Sister Outsider, respectively). I also read a couple of Nikki Giovanni poetry collections, a collection of writing by black gay men, and my second Octavia Butler novel (Parable of the Talents).

Most of the books I read, I loved. I was particularly struck personally by Communion, and will likely come back to some thoughts on love and what love is in a separate post inspired by that book. I want to read more of all of these authors, and this challenge seems like a good time to do so. I found it particularly powerful to read fiction and poetry by black women as I’ve read so much non-fiction about black femininity, intersectionality, and womanism but less “creative work” by black female authors. I’m also kind of on a nerdy linguistic tear after reading a fair bit of prose and poetry written in AAVE and other dialects. Sometimes I get a bit nostalgic, because I grew up in the South and went to a minority-white elementary school, so there’s this weird brain connection between Southern AAVE and childhood for me.

In the name of honestly, I’ll also note that it’s hard for me to write about literature and poetry written by POC because the last thing I want is to sound like the white anthropologist or professor: “See how the exotic other speaks!” Thus these posts may be less analytic or attendant to racial issues raised in the books, and more generally about my impressions reading. Of course much of what I read in this first batch addressed issues of black resilience, civil rights, oppression, and power, but I don’t feel that I’m the right person to comment on those themes. I will generally say that I am both struck and unsurprised by the talent of the authors I read for these first ten books, and their facility with addressing both the bullshit black communities face and the power and grace within those communities.

You can find full titles and authors to the books I read on Goodreads here.

Advent Calendar Day #6: bell hooks

Pretty much at the top of my badass feminists list is bell hooks. If you haven’t read her books, you need to. She’s got quite a lot to say, and the way she says it gets you right in the gut.