Internalizing Values of Femme Competition
I curse like a sailor.
Whenever a new person joins my team at work, I always ask whether they’re offended or bothered by cursing, because without censoring myself I have trouble keeping “fuck” out of my vocabulary. Especially as I become friends with my coworkers, it’s just likely to happen. But one word that’s always gotten to me, that I use far less frequently, is “bitch.”
I think “bitch” is uncomfortable to me mainly because of misogyny–it’s a word used mostly for women, or is supposed to be emasculating when used for men. It has a really ugly sound in my ears when used as a quick insult. But I’ve also noticed that I do sometimes use it in certain phrases, i.e. “bitch please.” In that context other words don’t have quite the same impact.
When I do use “bitch” in phrases like this, I’ve realized that the common element is a certain kind of competition or cattiness. This variety of competition is coded as intra-femme or woman-on woman, and I’ve internalized it in such a way that it can actually make me feel better to put a woman or femme down through such language. Think of the triumphant femme archetype in a movie getting into an argument with a femme villain who’s done something particularly vile. “Bitch, you just made it personal.” I have the urge to cheer on my fellow femme, crow with the heroine’s scrappy resilience, but at the same time this triumph is actually about putting another femme down. What does that say about the values I’ve internalized?
Pitting oppressed folks against each other is a tale as old as time. Using media and culture to encourage poor white racism against people of color in the same economic position was an easy tactic for elite white folks to consolidate power. Similarly, I wonder how media that glorifies femme competition might encourage us to frame personal success as being cooler, more fashionable, or wittier than other femmes, rather than working together in collective action. After all, part of the whole point of femme community is to challenge narratives of female competition, but acting in solidarity and avoiding societal messages requires continuous struggle.